|
The Trap |
| |
| Feed me the
machine |
| and what do I
yield? |
| An orderly sort of
civilian clerks |
| and privates,
corporals, sargeants |
| captains, majors |
| and colonels too
with |
| a brigadier at the
top |
| Layer upon layer |
| come low grade,
middle grade, |
| quality grade, top
grade and brand new |
| Bank, bond,
manila, cardboard, |
| cartridge, paste
board, pine |
| jarrah and veneer
too. |
| The five hundred
dollar drum |
| has got to be
replaced |
| It’s been printing
too much. |
| The machine is
bursting at its seams! |
| Open the doors |
| there’s levers to
pull, buttons to push |
| and parts that
slide out to be cleaned |
| there’s screws to
unscrew, parts |
| that shift, and
doors and walls to bang |
| and darkness too |
| Don’t forget the
black toner! |
| The black is
paint, and you’re the painter |
| But don’t worry,
the paint comes off |
| so you polish the
machine with a rag. |
| The noise, as it
works, machine gun fire |
| drowns your silent
shouts of |
| wanting to get
out. |
| Quality control is
in your hands |
| as you silence the
machine, pull it apart |
| carefully prise
out burnt sheets |
| You’ve done your
job, called the technician. |
| Ozone in a poorly
circulated room |
| makes you sick and |
| you flinch as a
metal part burns |
| your hand, but
don’t object. |
| What - there’s no
colour ink cartridges! |
| It’s a fancy,
expensive machine anyway |
| It’s got twenty
five sorting bins |
| and a duplexing
tray too. |
| In a double sided
copy test run |
| you feed in the
paper |
| it drops neatly
into the |
| duplexing tray,
comes out other side up |
| over the top tray,
like a shot |
| as you and the
technician watch. |
| And with the doors
open, |
| you conspire the
trap |
| and the paper,
grades and people feed back |
| into the machine. |
| |
| (c) Lai Chew
Yarn |
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